The 6th Athens Biennale: ANTI
Curated by Stefanie Hessler / Kostis Stafylakis / Poka-Yio
Participating artists: Spyros Aggelopoulos*, Monira Al Qadiri, Loukia Alavanou, Korakrit Arunanondchai & Alex Gvojic, Ivana Bašić, Tianzhuo Chen, Chim Pom, Sarawut Chutiwongpeti*, Brody Condon*, Celia Daskopoulou, Ted Davis, Danielle Dean, JP Downer, Nina Runa Essendrop*, Georgia Fambris, Cao Fei, Ed Fornieles*, Angelos Frentzos, Sarah Friend, Front Deutscher Äpfel, Dorota Gawęda & Eglė Kulbokaitė, Eva Giannakopoulou, Gigas, Joey Holder, Carsten Höller, Callum Leo Hughes*, Actually Huizenga (of Patriarchy), Jacob Hurwitz-Goodman & Daniel Keller, Binelde Hyrcan, Maryam Jafri, Sascha Jahn & TheBoundCollective, Jakub Jansa, Geumhyung Jeong, Kahlil Joseph, Florence Jung, Raja’a Khalid*, Joy Kolaitis, Peter V. Kritikos, Laboratory for Microclimates*, Euripides Laskaridis / Osmosis*, Delaine Le Bas*, Candice Lin, Fei Liu, Rachel Maclean, Basim Magdy, Miltos Manetas, Marianne Maric, Eva and Franco Mattes, Metahaven, Quenton Miller, Molleindustria, Shana Moulton, Sirous Namazi*, Narcissister, New Models, Pinar Öğrenci, Marisa Olson, Uģis Olte & Morten Traavik, Omsk Social Club*, Ilias Papailiakis, Eva Papamargariti*, Yuri Pattison*, Heather Phillipson, Signe Pierce*, AnnaMaria Pinaka*, Wong Ping, Michail Pirgelis, Agnieszka Polska, Lykourgos Porfyris*, Porpentine Charity Heartscape, Johannes Paul Raether*, Jon Rafman*, Kosta Rapadopoulos / Jasin Challah, Tabita Rezaire, Roee Rosen, Iepe Rubingh, Saeborg, Tai Shani*, Heji Shin, Aliza Shvarts*, Helle Siljeholm*, Marianna Simnett, Linnéa Sjöberg, Panos Sklavenitis*, Marilia Stagkouraki, Jenna Sutela, The Agency, The Domestic Godless*, The Peng! Collective*, Ryan Trecartin, Theo Triantafyllidis, Anna Uddenberg*, Nicole Wermers, Tori Wrånes, Lauren Wy, Lu Yang, Young Boy Dancing Group, Costas Zapas, Zhala*

With support from Mondriaan Fonds.

I hope my legs don’t break

Here I am, writing you a letter

A Distracting Movement is Never in a Straight Line

Joey Ramone, Rotterdam
25 March – 6 May 2017

JOEY RAMONE is proud to present A Distracting Movement is Never in a Straight Line, the 1st solo exhibition in the gallery by Australian artist Quenton Miller. The exhibition opens on Saturday 25 March at 5 – 8pm and runs till Saturday 6 May 2017.

Drawing is an everyday way of thinking in Miller’s practice, functioning both as independent works and storyboards for other mediums. This exhibition combines drawings rendered in steel and slides, alongside printed and moving image works that deal with acting techniques and screen history. The space sets a scene of framing, cutting, reading, looking and embodying on behalf of an employer.

The work of Quenton Miller looks at the relations between thought, form and format. His projects misuse narrative making tools from art fields and non-art fields, looking at language manipulation and the way narratives are able to create or erode political realities.

Miller (1981, AU) has exhibited at Centrale Fies, Trentino (2016), SMBA, Amsterdam (2015), Apex Art, New York (2008, 2011), 1646, the Hague (2016), West Space, Melbourne (2011). His work produces a range of formats and outputs, including texts published by Guernica Magazine and the Believer, and cartoons appearing in journals and daily newspapers. Miller also collaborates with Ilke Gers, as the publication collective Action. During their simultaneous exhibitions at JOEY RAMONE, works made as Action will be inserted around the gallery.


8-12 February, 2017, Art Rotterdam, Van Nelle Fabriek, Rotterdam. As part of Action.

The Quick Brown Fox Jumps Over the Lazy Dog

For Live Works, part of World Breakers Festival,
Centrale Fies, Trentino, 2016

Resolution 827











Stedelijk Museum Bureau Amsterdam, April 18–May 31, 2015.

“Resolution 827” is the outcome of a collaboration between Stedelijk Museum Bureau Amsterdam and the Museum of Contemporary Art, Belgrade. The title of the exhibition, “Resolution 827”, refers to the UN resolution that was adopted in 1993 establishing the International  Criminal Tribunal for the former Yugoslavia (ICTY). The artists involved in this exhibition scrutinise questions of responsibility in each of the societies in question, but their contributions also revolve  around the way in which we can relate to the atrocities through the procession of the visual and audio files collected from ICTY and other archives.

Curated by Jelle Bouwhuis, Zoran Erić and Joram Kraaijeveld. With contributions by: Kristina Benjocki, Lana Cmajcanin and Adela Jušić, Anna Dasović, Doplgenger, Saša Karalić, Vladimir Miladinović, Quenton Miller, Charles van Otterdijk, Nikola Radić Lucati.

Flags, 019 Ghent



‘Roger Ebert, The Collected Wikipedia Edits’ in The Atlantic

1 Cover Edited




An article and interview in The Atlantic here:, the story flowing on to articles in The Chicago Sun Times and Indiewire here:  and here:

The Process

Screen shot 2014-07-14 at 3.20.54 PM

A film about the International Criminal Court (COMING SOON).